vinyl only / poly lined inner sleeve / 180 gram / colored sleeve
dany rodriguez deliver his first ep ( i say this ) on his own label including 2 original tracks plus a fantastic remix from chris tietjen. first track (i say) features a melodic lead and a strong rhythm and all inside to burn the dance floor. second track (i say this) contents old analog sequence with a brilliant pad and a particular atmosphere and a de tuned vocal play it and you will directly feel the way. chris tietjen remix will work well on your summer time with a percussive rhythm and special vocal reworked by chris.

following two previous appearances on the label (a collaboration with matrixxman for delft 004 and a remix of alden tyrell on 006), san francisco s vin sol makes his full solo debut on delft with the memory scan ep: four rough & ready analogue jams fizzing with the effervescent energy that has characterised the producer s output for unknown to the unknown, clone jack for daze and his own soo wavey imprint.

uabos, aka matteo pepe, is a young and rising start from the fashion capital of europe. this milan musician melts the mediterranean with 707 attitude, connecting his homeland with the iconic floor grooves of chicago. warbling acid warmth gives way to spiralling female samples as dusk sets in. the track is pure golden sunshine. tweaked bars are woven through clean drums to form an energy-filled track of explosive properties. polished rhythm patterns scaffold the ep. from this solid base flow clever melodies and dancefloor subtlety. 303s trickle against thick and rich chords for the textured tones of abc dream . uabos grabs his audience, holding them with hypnotic harmonies and an entrancing elegance. but with that is an intoxicating funk, one epitomized in the drill . toms and pads introduce. snares snap as a deep and dense build is constructed, layers bubbling arpeggios support cascading chords for a chitown streaked disco romp. the finale, squash , is living musical liquid. a syrup of synthesized squawk squirms under soaring notes and crisp beats for a jackin infusion.

statue is a new percussion-based dance project erected by two unique drummers, tom gould and nicolaas oogjes. having become known for laying rhythmic foundations of seminal melbourne dance bands worlds end press and no zu, the pair have now joined forces to unveil statue, a strange new landmark in the dance music landscape. combining raw material from synthesizers, and a combination of drum machine and live percussion, statue is a monument to the human element of dance music culture. drawing upon inspiration from the organic rhythm of acts like floating points, pachanga boys and ricardo villalobos they have forged a deep, minimal and unique signature sound that has taken shape in this debut release. commissioned by cutters records, built casts a peculiar shadow on the dance floor. prepare to be moved by statue!

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

tzinah on black continues its odyssey with a second installment, delivering on wax the sounds of - an emblematic artist for tzinah - dani casarano, an enigmatic whiz kid - silat beksi and a fresh & promising member to our crew - derek. on the a1 side, setnup embodies casaranos adventures through the hypnotic sound of minimal. stretching from the lowest frequencies all the way to an uplifting atmosphere, we have got a serious case of massive basslines and heavy beats. the b-side continues the story with >its all about feeling<, that displays a trademark arrangement of silat beksi, taking us on an euphoric trip with his percussion-rich signature sound. and because we love an authentic rhythm, derek brings on the b2 a crystal-clear ambience with his solid drums from >aphe soft<, as an after-hour mood and a pinch of minimal romanian sound was all that we needed to complete this release. so, make room in your bag for our second vinyl-only tzinah on black release! from tzinah, with love

evan caminitis slow but steady progression towards electronic music from sand-swept guitar drone mirrors the pace of the music he makes. it has been measured, each move well-considered and clearly intentional. caminiti has immersed himself in electronic production on meridian, creating organic sounds through his machines, patching sounds that recall the brassy resonance of horns and hazy choral clusters. synthesizers hiss and crackle under layers of reverb and fog. sounds undulate and implode in upon themselves, with bursts of noise dropping in and out to create shadows of rhythm. caminitis electronic systems do not run autonomously - the sounds heard on meridian required real-time human interaction to bring them to life, and that human touch is essential to the mysterious atmosphere he produces on this new album.

pure & effective dj tool techno rhythm tracks -- repress

steve murphys curiously long shadow casts itself ever further over the realms of gritty house and techno with a barn-storming follow up on the lobster theremin core series, this time ratcheting up the tempo and rhythm to epic levels. shed-esque kicks thunder over asteroid-crumbling basslines, crackling wooden percussion is slammed into the muggy dirt and leaves, seriously filthy, rolling numbers for the all night crew.
*uk treatment* kicks and thumps in all the right places, with a stuttering synth stab loop and vocals giving it some serious peak time currency. *spleen* is all sludgy, skittering mpc business, while *rules* goes off-key chicago and *total recall 2084* swims around, pestered in the mud until a lonely, droning piano key scares away the flanged swarm of wasps and noise.

for the past few years, young denmark vessey has been releasing a series of albums, both as a leader of carious groups and as a sideman in various others, which definitely mark him as one of the most exciting young players in music. vessey’s last album prior to this (2013’s cult classic) employed scud one for the rhythm section. vessey, in his own playing suggest that he may be forging a link between the new mainstream and prior innovations. it is to vessey’s credit that this album achieves a surprising degree of unity. there is little of the haphazard feeling that too often arrends blowing sessions by pick-up bands. it would be easier to mistake this for a group which works regularly. part of that is simply because vessey is a part of the new mainstream, the part that is seeking beyond the accepted common language to find ways of extending it. the rest is because of vessey’s unusual talent.

after releases on saints & sonnets and stay underground, it pays, berlin artist quell aligns with the mil label for the four track tomahawk which further cements his reputation for no-nonsense, stripped back house and techno music. size 7 sets the tone, a dark, underground roller with a trilling bassline and acidy bleeps that sits nicely alongside the shimmering chords and deep dubby vibes of monolame. on the b-side, harhead leads with fluid percussive rhythms and sequential kick drums to give an immediate grooveintrinsic melody. the energetic, grooveled tone continues into the last track, where are they now, a dark, technofused stripped back rhythm track with an acid tinged-feel.

the *tape jam ep* is patrick vanos fourth release on berlin-based label mos ferry. the a side *rhythm disease* crackles and rumbles in this typical sound mos ferry is known for. *drone shadows* on the flip is much quiter and vano plays the techno bow in wide and flowing moves – best suitable for the later party hours.

4 tracks with multilayer structure paves the fascinating way somewhere between reminiscence and reality,deepness and sensuality, escapism and routine, rhythm and ambience, space and time.special vinyl only release.

marking its 11th release, leicester-based label city fly welcome philpot regular tim toh to its already impressive roster spanning dj nature, fred p, andres, medlar and basic soul unit. the berlin artist is also renowned for his works on the likes of ornaments music, delusions of grandeur and mild pitch, and his idiosyncratic vision of electronic music is one shared with the discerning minds behind city fly. ‘endlessly’ is a track that melds interlinking rhythms with vocal snippets before easing in to a beautiful rhodes sequence containing all the hallmarks of an absolute floor filler. ‘everything’ then features the beautiful vocals of ranavalona to engineer a track dripping with pure soul, making way for a remix from thatmanmonkz that focuses on rhythm whilst boiling the piece down to a slice of timeless house. finally ‘expectations’ is a number exhibiting toh’s avant-garde approach to music production whilst still focusing squarely on the dancefloor.

san francisco/paris-based label spring theory is back with its fourth release. called sweet bitter love, it s a four track ep of manic sample-driven house from keita sano, a japanese producer who s been on a roll lately with releases for like-minded imprints discos capablanca, mister saturday night, and strictly groove recordings. sweet bitter love kicks off with the tripped-out flair of -once i found a diamond.- it s an uplifiting bongo-led cut with dubby melodics that sound like the kind of thing sleeping bag records would have put out in the early 80s. jacques renault provides a leaner peak-time version — complete with hard-hitting snares and growling bass — via his -once i found a diamond (jacques renault trouble funk remix).- things take a turn for the delightfully weird on the ep s namesake -sweet bitter love.- starting like a straightforward house cut, it explodes into a psychedelic collage of spaghetti western guitars, tribal calls, displaced jazz fills, and other forms of cleverly sampled soundtrack exotica. the release wraps up with yet another curveball on -bouzouk.- here sano lays out a subwoofer-knocking ny garage house rhythm that takes a left turn with frenzied bouzouki playing charting arpeggios through a haze of echoing foreign voices. taken as a whole, sweet bitter love is that rare idiosyncratic bomb of an ep that will keep your dancers moving and your trainspotters guessing — in other words, it s spring theory through and through.

jazz, dub & electronica infected rhythm and sound textures.

jazz, dub & electronica infected rhythm and sound textures.

inspiration is taken from psychedelic rock, deep southern disco, rhythm and blues, classic house and techno also taking a key from the avant-garde

contium is a berlin based techno duo formed by bruno giordana and jonas schenkyr. the record opens with *the p-wave*, a heavy bottom-end, dance floor-oriented track, with echoed sounds and reduced grooves creating real club vibes. feel the great spatial depth given by the air between the beats. the track on the b side is called *aeromagnetic dub*, and this one goes even deeper. the percussion and chords deliver an incredible rhythm that gradually hypnotizes the listener. it features local field recordings and filtered, brushed, acoustic drum-loops.

welcome to the 3rd vinyl release of local sound network. label owner, ryuji takeuchi, is on duty to drop this superb ep. ryuji represents 2 off beat techno tracks with spectacular atmosphere, whereas, 2 remixes emphasize straight 4/4 rhythm patterns with even wider feeling.

for fasten07, we are very pleased to welcome one of our favorite artists to the label. sonodab, known from releases & remixes on fear of flying, trazable recordings, kina music and infuse to name a few, comes here with his debut on fasten musique vinyl only. the ep includes gipsy minimal groove and a stunning remix by sinob satosi who is a next japanese rising star.sinob has just released his new ep * flash* with boola for vinyl club. monomial ep is due to be released in may 2015 in a record shop near you. vinyl only!

*stranger than fiction* ist eine vom rock-n-roll-fachmann dave penny zusammengestellte sammlung an us-rockabilly songs aus den jahren 1954-1962, die in den 70er jahren während des rockabilly-revivals auf spezialistenlabels wiederveröffentlicht wurden. die limitierte 2lp enthält eine auswahl von 36 highlights der 3cd-edition.

it started with deep, raw and real, then it was thank you freaks, now its gentlemen cuts - all well rounded lovely compialtions bringing some hot tunes from all over the globe! with clang83, we have another up and coming italian artist whos into this kinda classic house and detroit sound.

the crew are at it again, having caused a mini storm with their debut 12- ep they are back with a rsd limited edition, first up we have this 80 s drenched balearic monster - just how you feel-, fat drums and baseline with plenty of synths, acoustic and electric guitar and haunting vocals. next the crew take us up the nile with this majestic track full of eastern flavour, fused with jazz and a relentless rhythm. finally we have this little gem of a track, fool in line, delightful in every way, with some mean marimba playing and catchy vocals, what a great jam. early dj support from kenneth bager 12 inch purple vinyl with splatters of white & black, in a manilla sleeve

estonian upstart merimell joins desolat with this four track forward thinking ep that is pushing the boundaries of the house and techno genre. with nods to moombahton and trap, the ‘cyber seduction ep is set to pique the interest of those looking for something a little different. ‘cyber seduction is a futuristic staccato cut that itches and scratches.

played by martin haberland, james ornate, james what, agnostic rhythm, anna wall, lance desardi, kammerton
following the release of their debut lp, keep up appearances on their new label modelmaker, dan berkson and james what draft in frank & tony, dana ruh, dorisburg and alan doe for remixes. berkson & what have chalked up many releases on poker flat and crosstown rebels over the years whilst most recently turning heads outside of their own modelmaker imprint via singles for dogmatik and seth troxler s play it say it. the duo s lp, released in january, marked a new chapter in their production history and has seen support from josh wink, mr g and skream over the past few months. keep up appearances - remixes opens with anthony collins and francis harris superb frank & tony alias taking on seraphim which results in a tense but understated piece of layered, classic sounding house music while dana ruh, fresh from her excellent debut lp on underground quality last year, drops an eerie recreation of worship that draws on spacey synths and unsettling ambience. dorisburg, known for outstanding material on sweden s aniara amongst others, continues a sterling run of form with a rendition of feel free which employs soaring chords to fashion a luscious and elevating take on the original. rounding off the package is berlin producer alan doe, an artist who debuted on rue de plaisance in 2014. doe s worship remix is squarely dancefloor-aimed with punchy kicks, smokey effects and teasing keys

the first vinyl cut from japanese dub duo mantis s 2nd album collapsizm released cd format from black smoker records only in japan, summer 2014. 2 tracks of the super powerful stereophonic dub sound with legendary paul st. hilaire a.k.a tikiman of rhythm & sound . these 2 tracks are different edition from the cd release and remastered and cut by stefan betke a.k.a pole of scape mastering.

we are artists with an inward perspective that toil endlessly to perfect our technique. we have proven ourselves over time as leaders of a beat less traveled. in this time of followers and cheap hustlers we are the oddities outside mainstream dogma. we are the heroes of cryovac. the rat pack of cryovac are keith kemp, kero, a. garcia, and kimyon huggins. we are a detroit based collective that come together from our personal projects to share our broad view of what techno is. keith provides a driving minimal sickness that builds and fades with dark intent. while kero relies on a random modular approach that is corralled by 4/4 beating. a. garcia produces a rocker that is driven by dirty soulful tones and choppy vocals. kimyon takes us out with a computer rhythm that is mixed down with straight human soul. this vinyl represents a combined effort of artists and craftsmen working together to bring this idea to life.

after releasing his new album, film of life, late 2014, tony allen makes a bridge with modern club music through 2 remixes. house guru ricardo villalobos and partner max loderbauer present a rework of * african man* , in which they slowly drags it in a minimalist groovy mutation. on b-side, rising londoner fort romeau reveals a new facet of tonys piece * go back*, bringing deep graceful and elegant modern discoid rhythm mixed with damon albarns silky vocals.

now already almost a year has gone by since “inspiration”, the collaboration between jah wobble and singer pj higgins has come out on sonar kollektiv. with “chaingang (remixes)” we get a further renewal of one of the eight tracks off the album. for instance utrecht, netherlands based multi-instrumentalist and producer pitto gets down to work to morph the song into an eight-minute spheric techno extravaganza. some sort of a teaser for his upcoming album on sonar kollektiv later this year (although it will sound completely different). also releasing an album on sonar kollektiv in 2015 is producer marlow from weimar. his voodoo version of “chaingang” draws nearer to the original and incorporates the jubilee style gospel chanting to a hypnotically impelling rhythm. at the right time at the right place this remix will cause outmost frenzy on the dancefloor.

the legendary 1979 orchestra returns to his edit fetish with this first release of the new edit series, pure legendary edits. the formula is updated with pure grooves, pure sounds and pure spontaneity. the a side cut, diggin it, revolves around a funky groove, cut-through drums and a warm melody that sizzles in and out via filters, delay and reverb. b side, loungin in the sun, gets even hotter with an exotic sun-drenched rhythm and brazilian sea-side vibes of rhodes undertones and horn section accents. pure dance-floor action pressed on loud 45rpm vinyl especially for club, festival or beach play!

anders enges interest in modular synthesizers comes from a desire to shut down conscious decisions about form and to focus on rhythm and timbre. this does however not land in traditional techno but rather in a riff-oriented style, the riff being both rhythm and melody and also a morphing entity in the music. drums and percussion attempt to follow this entity, while maintaining a link to the dance music pulse. the resulting style makes for a hybrid timewarped experience of travelling a parallell electronic music reality, a brooding technoid that grooves

after dark: nocturne ist ein infiziöses groove-monster, das körper, geist und seele gleichzeitig animiert. bill brewster, der auch als co-autor der dj-historie last night a dj saved my life brillierte, gelingt mit dieser top-selektion eine weitere meisterleistung. einmal aufgelegt, einmal reingehört, lassen einen diese positiven vibes nicht mehr los. groove, funk, disco, pop, house - party-rhythmus non-stop! mit komplett exklusiven und unveröffentlichten tracks & mixes von charli xcx (lindstrom remix), the emperor machine, hugh mane und zweimal hotel motel. und raren perlen von plastic bertrand(!), adriano celentano(!), rudy norman und coalkitchen. after dark: nocturne is ein massives schwarzes loch von einem dj-set, das dich auffrisst und nie wieder entlässt.

dance like nobody s watching is the name of luvdancin s 5th release and also the motto of the label. 4 strong house tracks from 4 different artists, each of them with their own sound, but with one main goal in common: keeping your feet moving until the early hours. vinyl only as usual!.

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the fourth and final release in his opium den and whorehouse inspired mecanica series. metamorfoze is a psychedelic melting pot which can best be described as a train commute to a distant planet—our senses confronted left, right and center by unfamiliarities. its counterpart on side b entitled t bov boasts a pseudo tribal rhythm, yet its post-apocalyptic soundscaping takes us anywhere but the expected. at this point nenad has managed to whirl our imagination into a state of confusion so deep that were simply at a loss for words. its in these moments where we at the esp institute are most proud, with the birth of something absolutely new. bravo nenad, bravo.

fresh from 1986, all time garage-house-afro crossover classic... absolutely timeless house anthem! need we say more? *ma foom bey* is one of those records, totally flawless, big in the dance everytime. stripped back drum machines, that cavernous, instantly recognizable bass-line & those chants, killing sound-systems stone dead! as we said before, dropped on easy street in 86, edited by the legendary tony humphries & subsequently caned by 3 generations of dj s across the galaxy ever since. every home should have a copy of this, no collection is complete without it. a record that will never go out of style & will always provoke some buckwild reactions on any dance-floor it is dropped on! shout out to easy street, %100 legit re-issue, re-master & re-press, essential wax!

public possession under the influence 05 is the first various artists compilation on pp. four tracks made for your pleasure. reworked to be heavily used. kicking off with the already notorious flyer edit by samo dj featured in various mixes and high in demand - finally available on vinyl. on a2 bell towers takes over the controls to deliver another one of his italo tools. where does he get it from? who knows. 100% rhythm in motion. flip sides! you get introduced to a new member of the pp family: tamas jones, one half of the australian duo hey convict, re-does an underground classic, your dj bag is crying in joy! tambien is finishing off things with their dubbed out version of a dutch synth pop cut.

the third release on palms & charms comes from tokyo club stalwart masanori ikeda (mansfield, ikeda x), who has had previous releases on the legendary flower records and cos/mes imprint snaker. a resident dj at london club wag in the early 90 s, masanori returned to japan later in the decade and has since provided the soundtrack to many a tokyo night-time adventure, most recently with his continuing residency at shibuya institution oath. with afro tipsy, masanori offers up a monster of rolling percussion and pulsating synths. feel the stress of the day fall away, your veins flowing as if with the very energy of a thousand suns. moving confidently to the dance floor, your head and limbs begin to move in new and unexpected rhythms. don t be alarmed - you feel good. on the flipside, the remix from almunia (claremont 56) takes you deeper than deep. the sound envelops you as you enter the club. the continental winds and low pressure lift you aloft and you circulate around the dance floor, carried far as if on a warm jet stream. the rhythm drives, dubbed-out guitar echoing through the night. leonardo ceccanti and gianluca salvadori taking you to new places.

future times is proud to present a fascinating, brutal 12 inch from brazilian producer japa habilidoso, aka guerrhina from 40% foda/maneirissimo crew!! a side * funk do sindicalismo* goes for relentless, almost abusive rhythm collage, this cut is the most punk shit that ft has so far had the pleasure of releasing. ruff rugged n raw!!! the flip, * agronomia setorial* , cuts more dance and djshapes, and rides bugged piano loops and a collage of voices and noises to perfection. this is one for the mutants!

ltd vinyl only release
aira ep project concept:
musicians are with huge imagination into their creations, but they must still call on new technologies, such as roland aira, to express themselves through the sounds and fill up their music with soul, rhythm and melody, we seeks out this connections between the humans and those machines. we invite most talented musicians around the globe to let them provide new forms of music and sounds and we release it on special ep vinyl series.

10 track 12- on collectable japanese label -snaker-. leaving signature fm synthesis work arcade game, blends with soft reggae feelings, his programming make more minimalismic, polyrhythmic and even funky approach through eerie,vertiginous,glistering and ominous without long dramatic notes. this primary sound make us mad, it has something common to lo-fi feeling or row house groove.

almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

we are pleased as punch to welcome guillaume & the coutu dumonts for his freerange debut with the revolution in the cycles ep. the plucky canadian via berlin producer will be well known to most of you through his releases on labels such as circus company, oslo and raum musik or maybe you witnessed the master at work crafting one of his amazing live sets. either way, you’ll know how he likes it, mixing up his deep understanding of rhythm from his years spent playing drums with the unquestioned groove of house and hypnotic beauty of techno. the result is a unique, slightly wonky brand of off kilter house which is perfectly summed up here on this three track ep.

the second wrltd vinyl is from the collaboration between wunderblock and michael chernev a.k.a arcuation. the ep starts with the amazing remix from darren roberts a.k.a. deepbass. it presents his unique dark hypnotic sound combined with the effective driven techno groove. samuele costa a.k.a. scam. delivers the second remix, which is also dark and atmospheric with some propulsive jacking dubbed out drums. on the b-side, there are 2 remixes from wunderblock: mikroplexmix, with its mesmerising swirling atmosphere and punching rhythm, and more relaxing, deep and spaced-out remix with co-production of vladimir kochenov a.k.a. acrob, also the member of wunderblock crew.

norwegian producer thomas urv drops the småskansen ep on his own ploink imprint this april. one of norways leading techno prospects, thomas urv has promoted and played at countless events across the country featuring the likes of jeff mills, juan atkins, derrick may, carl cox, richie hawtin, robert hood and kevin saunderson. when not delivering his three deck performances across scandinavia, spain, france, holland, canada and the uk (for fabric and bestival) the norse producer is firmly focused on ploink and his studio activities. *fuktig sol* leads the ep and is a sinister cut led by a morose hook and syncopated rhythm whilst whirring atmospherics add to a looming tension. the dark undertones continue in *stell/less* although steady kicks construct a vibe better suited towards peak time dancefloor madness. tying up the release *sånn isbre* delivers a frenzy of layered sounds that evolve over the course of a lengthy 16 minutes.

up first on okno is the restless naples producer, nplgnn. after vividly capturing our attention with his first release, meccano on nute, nplgnn followed up with his first 12inch release on whereiidance, sigma / tau. nplgnns uniquely straight up analogue dancefloor jams (just check acid ufo) have unsurprisingly been snapped up and played by tastemakers including ben ufo, low jack and mumdance. 2015 is bound to be a top year for this guy, and we are excited to present his first release of the year. 1925 ep delivers three slabs of kickdrum-heavy rhythmic excursions, ranging from the detroit-flavoured 1925 ft deep to 90s inspired ravers are still living. true tackle.

this four track ep kicks off with cladistic mutation , a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. m2 is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. on the flip, grain gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effec ts peppe r the groove. there s a heavenly nature to the pads and an industrial texture to the percussion that makes this a cerebral but physical affair from start to finish. lastly, neurowaves closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.

raam is back with ep 2 where he delivers the massive hidden, a classic dub-driven techno banger. with its stabby synths and 4/4 rhythm its devastating on the dance floor. on the flip hidden gets a remix treatment from the talented baba stiltz (studio barnhus). baba buries the original into a deeper, sonic gritty journey. the ep ends with pallas which is a slow and raw house track with a moody atmosphere.

from earlydub records mastermind & creator, french native loquace has honored us with his edition of tabla, for our 5th release. after years of playing alongside flagship artists like: miss kitten, vitalic, stephan bodzin, tini & the gang, julian perez, anja schneider, and yaya, loquace has shown his commitment to the music, and has left quite an impression on many. with such releases on labels such as: little helpers, upon.you, kiara records, moan recordings, and kina music, loquace has made his musical impact, and shown great dedication, and true creativity, to say the least. loquace’s ep, entitled ‘momento’, starts off proper bringing our attention directly to the pulsating bass and excited cymbals, finding yourself on a colossal-like locomotive. nostalgia’s atmospheric rooms, brings us to a moment of breath, a certain euphoric feeling. getaway, takes us to the deep down drums while guiding you to the undertones of the bass. as we yearn for more, loquace delivers us – things. as the track unfolds, it will bring you into a groove, a distinctive rhythm, as the chorus keeps you on beat, the kicks dance around, and the secret stabs transport you to our closing, ending our journey with loquace on this edition of tabla.